The どゃ portion

Notice that the や is basically the same font size as the ど. This is not どゃ, where the small ゃ is meant to indicate a palatalized glide attaching to the consonant of the previous mora, but rather どや. I'm vaguely familiar with the adverb どやどや used to describe lots of people milling or rushing about; I wonder if it's used here to indicate the focus of the "camera" rushing towards the character.

Update: As explained by Chocolate in the comments, this どや is not from どやどや, but rather from the Kansai-ish どや that is equivalent to Kanto どうだ, as used in the expression どや顔【がお】. Literally "how's-that face", it's a bit like the English expression "how ya like (it / that / me) now", also used to indicate smug self-satisfaction.

The でぇ portion

I'm not sure about the でぇ portion. I suspect this is used to highlight the self-satisfied smug expression on the character's face, but that is only my intuition.

Any comments to clarify or correct the above would be most welcome.

The どゃ portion

Notice that the や is basically the same font size as the ど. This is not どゃ, where the small ゃ is meant to indicate a palatalized glide attaching to the consonant of the previous mora, but rather どや. I'm vaguely familiar with the adverb どやどや used to describe lots of people milling or rushing about; I wonder if it's used here to indicate the focus of the "camera" rushing towards the character.

Update: As explained by Chocolate in the comments, this どや is not from どやどや, but rather from the Kansai-ish どや that is equivalent to Kanto どうだ, as used in the expression どや顔【がお】. Literally "how's-that face", it's a bit like the English expression "how ya like (it / that / me) now", also used to indicate smug self-satisfaction.

The でぇ portion

I'm not sure about the でぇ portion. I suspect this is used to highlight the self-satisfied smug expression on the character's face, but that is only my intuition.

The でぇ portion appears to be the extended version of sentence-final で, the Kansai-ben equivalent to Kantō-ben emphatic sentence-final particle よ.

Reference Links

• For どや, see the 京ことば section of the Weblio entry.
• For で, see the second entry in the 大阪 section of the Weblio entry.

Any comments to clarify or correct the above would be most welcome.

The どゃ portion

Notice that the や is basically the same font size as the ど. This is not どゃ, where the small ゃ is meant to indicate a palatalized glide attaching to the consonant of the previous mora, but rather どや. I'm vaguely familiar with the adverb どやどや used to describe lots of people milling or rushing about; I wonder if it's used here to indicate the focus of the ";camera" rushing towards the character.

The でぇ portion

I'm not sure about the でぇ portion. I suspect this is used to highlight the self-satisfied smug expression on the character's face, but that is only my intuition.

Any comments to clarify or correct the above would be most welcome.

The どゃ portion

Notice that the や is basically the same font size as the ど. This is not どゃ, where the small ゃ is meant to indicate a palatalized glide attaching to the consonant of the previous mora, but rather どや. I'm vaguely familiar with the adverb どやどや used to describe lots of people milling or rushing about; I wonder if it's used here to indicate the focus of the "camera" rushing towards the character.

Update: As explained by Chocolate in the comments, this どや is not from どやどや, but rather from the Kansai-ish どや that is equivalent to Kanto どうだ, as used in the expression どや顔【がお】. Literally "how's-that face";, it's a bit like the English expression ";how ya like (it / that / me) now", also used to indicate smug self-satisfaction.

The でぇ portion

I'm not sure about the でぇ portion. I suspect this is used to highlight the self-satisfied smug expression on the character's face, but that is only my intuition.

Any comments to clarify or correct the above would be most welcome.